SELECTED POEMS FROM:
Dead Crow & the Spirit Engine
Why? Why here? On this planet?
Creation’s womb swells
with stars
colliding—
black blood drop
falling through space
is blessed by light
and becomes thought
without form.
And falling
into Earth’s atmosphere,
thought is blessed by air
and becomes feather,
to skiff the ponds of heaven
and eventually
become wings.
And falling through cloud
wing is blessed by rain
to become body,
the strength to rise up
out of Hell
and ashes.
And falling
through snowtipped wind,
body and wing
are blessed with breath
that they might speak
and continue living.
And landing
on the topmost branches
of Ararat’s ancient cedar,
Crow is born.
Wing blessed by rain becomes body…
A word to the wise. Never
let yourself go at a banquet
of the gods. You’re bound
to end up the goat to somebody’s
trickster, like I did. I’ll never
get that goddess’s laugh
out of my head! Inanna, Aphrodite,
Madonna—I’ve loved and lost them all,
every one. I never
should have looked into that mirror.
Next thing I knew,
I had a whanging headache
like a hangover on speed,
and found myself here—on Earth—
hurled in a heartbeat from the sun.
How I got here from the other side
of the galaxy is a complete
conundrum. Still, as planets go,
this one ain’t bad.
Plenty of water, trees dropping fruit,
dead bodies everywhere.
I see their spirits rise
in morning mist.
It’s what keeps me alive, this beak
that can sniff out the dead
from forty miles away.
After my first year or two
I began to see what the dead see—
silhouettes of energy
a tracery of frost on glass.
But hell, what’s my mission here?
To scratch off the days
foraging for clues
in a holocaust boneyard?
To chew on blood-raw liver
in the desperate hope
it’ll spit up the omens and cures? Besides,
who listens to prophecy anymore?
The two-by-two of paradox
makes poor food for a Crow.
Listen, I’ve been around.
I’ve stared into the water long enough
to see what’s on the other side.
Doesn’t make me a genius. Just means
I know how to pay attention.
You think this world is everything there is?
They had for their king the angel of the abyss, whose name in Hebrew is Abaddon, and in Greek
Apollyon, or the Destroyer… He seized the dragon, that serpent of old, the Devil or Satan, and
chained him up for a thousand years; he threw him into the abyss, shutting and sealing it over
him, so that he might seduce the nations no more till the thousand years were over. —
Revelations 9:11, 20:1–3
The day after Covid, surgical masks
lay dead in the gutters, so many leaves
riffled into history by the collective sigh
of billions—breathe, O breathe free
at last! The lie laid bare, the masks of power
cracked, blue-backlit screens split open.
Shaggy-horned demons scurry, still
sucking the world dry—O hunger, circling
the drain, fill, fill these beasts that they prey
upon us no more. Strap them into the SpaceX
express and fire them into the eye
of the sun. Failing that, build them cages
made of gold, that their bloody forked tongues
lick clean daily from top to bottom,
their cells far, far away from the living
and sealed like a nuclear bunker
with the warning: There be monsters here.
Trespass at your own risk. The Angel
of the Abyss, shining lancet of Revelations,
will stand guard, stanching infection
at its wormy roots in the heart, where dreams
dark and deadly take hold. Fear not, O you
who tend the sapling and mend a broken wing,
for this guardian is an Angel of Dance,
who skips off the sun’s corona as it crests
the arc of Earth, spirit-sails the spiral arms
whose galactic milk stains the summer skies,
jigs the ocean for its shattered jewels
and sheds us all of our Earthly chains.
©2021 Sean Arthur Joyce
The year crept in rainy
and feline, black as lung tar,
as if you could feel the snarl
crouching in the hedges.
Now that we have banished demons
and angels, debunked water diviners
and spirit mediums, we are more afraid
than ever. Lived apart from the wild
too long to recall the sinuous
darkness we breathe awake.
But it’s not about us anymore,
if it ever was. Gaia is awake,
and unlike us, doesn’t discriminate.
All who tasted the banquet then shat out
plastic in my oceans, raided forests
for toilet paper or stripped mountains
to bare rock, all will feel me roar.
Your poor and your starving, your weak
and your powerful, all will feel me roar.
Do not dare close your ears to me.
I can feel the garden soil tense, waiting.
©2021 Sean Arthur Joyce